Saz Eseri Peşrev - Şerif - Rast

[Makam]

Eser:

Peşrev​

Bestekâr:

Şerif​

Güfte Sâhibi:

Belirsiz​

Makam:

Rast​

Form:

S.Eser​

Usûl:

Darb-ı Fetih​

Güfte:

-​

Kaynak:

Sanat Müziği Notaları​

Diğer Bilgiler:

Arşiv No: -​

 

[efrūḫte]

Bu eserin bestekarı olan Şerif, doğal olarak Şerif Dedeoğlu değildir.

 

[三宅元貴]

Bu eserin bestekarı olan Şerif, doğal olarak Şerif Dedeoğlu değildir.

Please forgive my lack of knowledge questions.
If you don't mind, I would appreciate an answer when you have a moment.
I know that "H1" is "1 hane", "M" is "Mülâzime" and "H2" is "2 hane", but what is the "Z"?

 

[efrūḫte]

Please forgive my lack of knowledge questions.
If you don't mind, I would appreciate an answer when you have a moment.
I know that "H1" is "1 hane", "M" is "Mülâzime" and "H2" is "2 hane", but what is the "Z"?

Nothing to forgive here, a very understandable question.

“Z”, here, would be “Zeyl”; an extension of the piece, meant to indicate that the piece is longer than the 17th century standard 3 hânes. It seems to be an late 16th-early 17th century innovation of Anatolian and Balkan musicians (as opposed to Persian or Arab ones), as they did not like the fact that Darb-ı Feth could only be looped 6 times before ending the piece.

 

[三宅元貴]

Nothing to forgive here, a very understandable question.

“Z”, here, would be “Zeyl”; an extension of the piece, meant to indicate that the piece is longer than the 17th century standard 3 hânes. It seems to be an late 16th-early 17th century innovation of Anatolian and Balkan musicians (as opposed to Persian or Arab ones), as they did not like the fact that Darb-ı Feth could only be looped 6 times before ending the piece.

Thank you very much for your response.
I have gained new knowledge. I am glad.
The innovations of the Ottoman musicians are interesting.
Is "Zeyl / ذيل" Arabic for "addition, postscript"?

zeyl / ذيل
>Ek, zeyil. (Arapça)

Are you saying that you inserted the Zeyl part before the 3 hâne in Peşrev where there was only 3 hânes ?

The innovations of Anatolian and Balkan musicians of the late 16th and early 17th centuries are very interesting.

 

[efrūḫte]

Are you saying that you inserted the Zeyl part before the 3 hâne in Peşrev where there was only 3 hânes ?

Your other comments are all correct; on this one, the structure of a piece with Zeyl should be as follows:
"H1-M-H2-M-Z-H3-M-Z"

 

[三宅元貴]

Your other comments are all correct; on this one, the structure of a piece with Zeyl should be as follows:
"H1-M-H2-M-Z-H3-M-Z"

Nezaketiniz için teşekkür etmek istiyorum.

You have a lot of knowledge of music from the period of Ali Ufkî Bey and Kantemiroğlu.