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  1. efrūḫte

    Görüş Ensembles to Listen

    Not sure what you mean by this, sorry. Edit: I get it now, you were recommending ensembles; I thought this was related to the Itrî discussion. Sorry for the misunderstanding.
  2. efrūḫte

    Görüş Ensembles to Listen

    It's transcribed in 28/4 over at Neyzen.com, as seen here.
  3. efrūḫte

    Soru Reading a Score

    This is likely about a peculiarity of how the Turkish tuning system works. This might get a bit advanced, but suffice it to say, since you're not playing in a very traditional setting, and since you're playing with Western or Western-adjacent instruments, this does not matter all that much, but...
  4. efrūḫte

    Görüş Ensembles to Listen

    You are right, that piece being played is this Nihâvend Peşrev, although I would be inclined to play it faster than how Bezmârâ is playing it. On Itrî's Hisar Beste, that piece hadn't been notated until the 19th century, so it's likely that it reflects a mix of 18th and 19th century...
  5. efrūḫte

    Görüş Ensembles to Listen

    Then Sadikkara's suggestions are a good start, for instrumental music especially. However, it is pretty important to keep in mind that makam music has changed throughout the centuries, so while the modern repertoire can be very nicely played with this type of performance practice, pre-19th...
  6. efrūḫte

    Görüş Ensembles to Listen

    Hi! Unfortunately, this is quite a difficult question to answer, for a number of reasons. There are many different types of ensembles that exist for different reasons, and they therefore play in very different styles. What historical period are you most interested in? Edit: I do agree with...
  7. efrūḫte

    Soru Pesrev Makam Gevest Kantemiroglu

    No need to thank me at all, makam music has more of a learning curve than most music traditions, and I think helping people who are just starting off is the least we can do. Book suggestions are a little bit more difficult for me, I'm afraid. I am not a fan of most non-specialist scholarship on...
  8. efrūḫte

    Soru Pesrev Makam Gevest Kantemiroglu

    First of all, something that came to my mind. If you are a beginner, I would advise you to use an assortment of pieces to build up to the more complicated ones, instead of just one piece, as Cantemir's Geveşt Semai is not in a very typical makam nor an easy to understand usûl (rhythmic cycle)...
  9. efrūḫte

    Soru Pesrev Makam Gevest Kantemiroglu

    This is actually a semai, not a peşrev, and while it is in his treatise, sources conflict on whether or not it belongs to Cantemir. The piece is here, but as the picture there is not very clear, I did try and get a slightly better one for you; it's a phone scan, but at least it's readable...
  10. efrūḫte

    Soru Who Is the Composer of This Peşrev ?

    I would agree with the latter conclusion. While it is possible that the makam was altered later, we mostly see this 'dynamic makam classification' (for the lack of a better term; the best examples of this are between MSS and Edvâr) between makams with large repertoires and smaller ones with...
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