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Mesaj: <blockquote data-quote="memduh" data-source="post: 88095" data-attributes="member: 5780"><p>Are we saying here that there is not enough evidence to suggest that Uşşak/Segah/Whatever was the default second used in Hicaz-counterparts in Iranian music? If we don't assume that it was, are we assuming that the setar/tar frets not traditionally having Kürdi is the result of a later development?</p></blockquote><p></p>